Light explodes out of the darkness engulfing a young woman as she tries to find her way through the storm.

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But, this apparently peaceful coexistence starts to get disrupted when people and characters start rivalry for the control of reality and of its fictions.

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A sequence of altered still images shot in New York is repeated, each time manipulated and layered over the artifacts of the previous sequence. Images of concrete and pavement are digitally smeared, transmogrifying the architectural structure of the street. Billboards and graffiti become the passage of color and texture through the 2-dimensional space of the screen. “play and repeat” takes both the city and digital video itself as subject and explores the effect of the addition and removal of the representational image on perception and memory.
The five-part structure is loosely based on the five-part “Dog Star Man”, in which Stan Brakhage manually manipulated layers of film to create effects like scratching and tinting in a way unique to film. The digital images in “play and repeat”, shot on the way to a screening of “The Art of Vision” (the expanded form of “Dog Star Man”), are layered and manipulated using software-generated effects unique to video. Composition, color and movement give way to accumulation and eventual disintegration into its own ephemerality

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Choreographed & Videographed by Kristin Hatleberg and Joel Fritzon;

We are born from nothing and nothing is our end.
Physicality is brief, painful.
Appearances may come and go, but our soul is unchanging.
Always jumping, searching, jumping, searching, in a circle.

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